Avatar is gorgeous, absolutely breathtaking at times, seamless in its beauty, but the film is also pedestrian in its storytelling, predictable and weighed down by wooden dialogue and ham-fisted moralizing.
This is James Cameron's masterpiece, his comeback since he made the mammoth hit Titanic that catapulted Leonardo Di Caprio to fame so many years ago and the first two Terminator movies. The movie is price tagged at $230 million and was years in the making, with Cameron waiting for the technology to catch up to his imagination.
The result is a film vibrant with color and jaw-dropping special effects that look even better in 3D version. The magic is in how the special effects fade into the background, awe-inspiring in how realistic they appear.
But the special effects are supposed to aid in the telling of the story, and the story is simply this -- evil American corporation goes to Pandora to steal a mineral known as "unobtanium" that is key to Earth's survival. Standing in the way are blue-skinned gazelle-like creatures known as The Na'vi, and they're not about to watch their world be ravaged by these human colonizers.
Jake Sully (played by Sam Worthington, who unfortunately was in that money-losing Terminator sequel this summer) is a paraplegic Marine recruited to go to Pandora and take his twin brother's place in a cool scientific experiment.
Scientists have spent years growing this Avatars, half-human, half-Na'vi, bodies into which human minds are implanted. Sully is the guinea pig and his mission is to befriend The Na'vi and convince them to relocate so their land can be scraped away.
Sully jumps at the chance to be in a body that walks and runs through lush jungles and leaps onto lizard-like creatures that fly into blue skies. But his plans to complete his mission go sideways when he meets beautiful Na'vi warrior (Zoe Saldana) and falls in love.
Of course, falling in love leads to outright rebellion against his superiors when he realizes what they're doing is wrong.
And for all the awesome CGI, it doesn't obscure the fact that this movie is unfailingly predictable. The dialogue is awful at times, though some humor manages to get through.
Cameron does remember that he is making popcorn entertainment, and he fills the screen with action sequences geek-lovers everywhere will adore.
But all of that stuff can't make up for the lack of a story you really care about. Take away the CGI, and you have Braveheart, without Mel Gibson. You have 300, without the bare abs.
Yes, Cameron makes incredible strides in the use of motion-capture technology that other filmmakers will be studying for years. But this isn't some gnarly breakthrough in terms of storytelling.
It is cliched to the point of numbness. It is knock-you-over-the-head pro-environmentalism to the point that Al Gore might get annoyed. Umm.. the Earth is precious, we are connected to the land, yada yada yada. We get the point and we might even agree with you but please don't preach.
Avatar is a good movie, for the most part, a lovely way to spend a weekend afternoon, lost in the magic of moviemaking. But next time, Cameron should spend more time on the story and less time on the expensive CGI.
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