Saturday, April 17, 2010

Basquiat


I haven't written in this spot for a good minute. I don't have much of an excuse, except that I haven't seen much that's given me any motivation or inspiration to blog. It's not that I haven't seen any good movies lately, but none have been so good or so bad that I had, just had, to write about them.

That was the case until last night when as part of the Riverrun International Film Festival that's taking place here in good ole Winston-Salem, I had the chance to see the documentary Basquiat: The Radiant Child.

Jean-Michel Basquiant took the art world by storm in the early 1980s with his graffiti-styled paintings and drawings, a brilliant tapestry of work that spoke of the turbulent and exciting times in which he lived. He was only 27 of a drug overdose, another in a long line of geniuses who shined bright but burned quick.

As I saw watching the movie, I was taken in by the story of a man who grew up in the streets and managed to survive by his wits, who by raw unbridled talent made a name for himself first on the walls and trains of New York with the enigmatic tag of SAMO and then later in some of the most elite art museums.

Years ago, I saw the movie Basquiat, directed by artist and friend Julian Schnabel and starring Jeffrey Wright, who captured the nervous energy of Basquiat. But it is one to see Wright portray Basquiat but quite another to see Basquiat himself in archival footage and never-before-seen interviews.

We see a man who sought fame and found it not to his liking, a black man struggling to find his place in an elite white art world that kept defining him and his work.

Director Tamra Davis, through interviews with his friends, follows Basquiat's childhood in New York to his untimely death. In between, she allows us into his world, filled with late-night parties with his friend, Fab Five Freddy, and his insane work ethic.

The result is a nuanced portrait of an exceedingly complex artist, someone who wanted people to understand his work and to hear his voice. He wanted to succeed, no doubt, but he wanted to succeed on his own terms and to make uncompromising work.

The subtitle of this movie has it right. Basquiat was a radiant child, an artist whose work was too brilliant even now for this world, who created art that we still talk about.

And I find myself so much the better for being exposed to who he was and what he was about.