Saturday, June 13, 2009

The Taking of Pelham 123


Tony Scott is known for action movies that whiplash audiences with spinning cameras and flashes of images broken up with brief glimpses of character.

Here in The Taking of Pelham 123, Scott is no different, going for the jugular as much as possible.

But what keeps the movie from turning into another shallow blockbuster are the performances. Scott picks his actors well, and he couldn't have gotten a better actor than Denzel Washington, who has appeared in a number of Scott's movies. Washington grounds the movie and allows the audience to gloss over those logic holes that always appear in summer blockbuster.

This is also a remake of a movie I never saw, the 1974 thriller of the same name that starred the late Walter Matthau in the Denzel Washington role.

Washington is Walter Garber, a New York City subway dispatcher who happens to be there when Ryder, played by an amped-up John Travolta, hijacks a subway train, threatening to kill passengers if he doesn't get $10 million in an hour.

The heart of the story lies in the relationship that's built between Garber and Ryder. It's a tense one as Ryder cajoles and menaces all in one breath, while Garber tries to be the voice of calm in a chaotic situation.

Scott builds the tension well and breaks it every once and a while with large helpings of gallows humor.

Washington has mastered the art of playing decent guys who have a smidgen of a dark side. It's no different here, as we soon find out that Garber has been demoted after being accused of taking a bribe.

And there's more to Ryder, of course, than what we at first see, but you'll have to see the movie to find that out.

The supporting cast includes John Turturro as a hostage negotiator and James Gandolfini as the New York City mayor who is part Rudy Guliani and part Michael Bloomberg, and they all give good performances.

The weak leak, to be honest, is Travolta. He overacts and instead of being scary, he ends up being unintentionally funny, especially when he continues to utter one particular profanity that starts with "mother."

That's a minor quibble, though. I watched this movie after only having five hours of sleep, and not once did I fade out. This I consider an accomplishment.

Being whiplashed, at least in this movie, isn't always a bad thing.

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